I have been teaching audio workshops and classes to individuals and students for over 30 years. Currently, I teach online classes through Maine College of Art & Design, Salt Institute for Documentary Studies. Classes are short, consecutive day intensives-- rather than semester long. They range from Audio Recording Basics to Editing and Advanced Audio. All classes are open to the public.
For a list of current classes and workshops: Events/Classes
Henry Howard, David Shinn, Dianne Ballon and Rene Pringle recording water sounds, at the National Audio Theatre Workshop, West Plains, Missouri
For over 10 years, I worked as a member of the teaching and production staff at the National Audio Theatre’s annual Audio Theatre Workshop. Participants from all over the country gathered to learn, create, perform and produce radio theatre in one week’s time with the expertise of audio theatre directors, audio book readers, sound effects artists, and recording engineers.
Each summer, I taught digital editing workshops and produced live radio theatre that was simultaneously broadcast. I produced an audio postcard of the workshop week: recording the sounds and the stories from the artists, directors, participants, engineers and sound effects crew as we worked toward creating the final performance.
Many of the sound effects written into the script for each radio play were either performed live on stage or recorded during the week and mixed into the show. We were asked to record a variety of sounds. Once someone ran down the hall and said, “Quick, there’s a medevac helicopter about to do fly-bys!” And out we went in full recording gear. Who could ever afford to have a helicopter land and maneuver on cue?
A Cowboy's Bedroll
At the 2008 Audio Theatre Workshop, many of us had the pleasure of meeting cowboy poet “Buckshot Dot.” Buckshot Dot, aka Dee Strickland Johnson, shared her cowboy poetry and song through performance and teaching.
Vibrant and endearing, she was easy to know and love. When we sat down for an interview, I asked about her background and the origins of her cowboy poetry. At one point, she mentioned the word "sougan" -- a word I did not know. So I asked: What is a sougan? And how do you spell it?
What follows is her colorful answer.
And, some of the sounds and audio postcards I produced throughout the years.
Buckshot Dot on sougans.
Creating falling in the water sounds for the play Darwin.
Dwight Frizzell & Michael Henry’s Darwin.
Homefront & the BBC Announcer.
Sound effects artist Tony Brewer creates thunder.
Lewis & Clarke and paddling a keel boat.
Veterans' Project: Over There.
Rehearsing and recording the script with students in the studio
For over 10 years, I taught directed-study in audio production and a course in radio theatre to students at the University of Maine at Augusta. I worked with students to write a script, create sound effects, record, and mix the drama for radio.
We wrote scripts based on current events, such as, Comet Hale-Bopp crashing to the earth in a Maine farmer’s field. Space missions always included the sound of the spaceship performed by our beloved 16-track analog reel-to-reel tape recorder. The machine turns on with a low frequency clunk and emits the best 60Hz engine hum ever!
In November of 2003, Arnold Schwarzenegger was sworn in as Governor of California. Because two of the students in the class did good impersonations of Schwarzenegger and Sean Connery, we wrote them into the script.
The following is an article I published about the radio theatre work in the newsletter of the Association of Independents in Radio:
Arnold Schwarzenegger picks his cabinet.